Robot Cousin Soundworks

Project R/’Recession: The Rock Opera’ is still being hammered out, note by note, instrument by instrument. I’m having a bit of difficulty with one of the pieces, as there’ll be a lot of orchestration from things like horns and strings, and those are some of the hardest to fake through virtual instruments. Also, my computer is choking. Yay for the ‘Track Freeze’ option (think “Flatten Layers”, if coming from the Photoshop side of things), but even then, you can only freeze so much and get away with it.

On the RPM side of things, I’m actually coming up with a lot of good stuff… which is a problem (for RPM at least). I actually want to turn these into real tracks. And I know that just because they’re for RPM doesn’t mean they didn’t happen, but I don’t think I could bring myself to put a song into two groups. If I actually had a record deal, and was making songs, b-sides would be b-sides, and the track list of an album would be that and only that, not songs from another place or anything like that. Billy Corgan has the same sort of hangup, so I guess I have him to thank for that way of thinking. I can’t help it! It’s a rule, but one I haven’t had to enforce just yet.

So I’m left with about 3 tracks worth of stuff I really, really like, and refuse to put towards RPM, even though I’ve come up with them, and recorded them within February. Will I finish my RPM album? Looks like no. Does this bother me? Not in the least.

RPM is doing what it was meant to do, and for that, I am thankful.

Just finished my first track (which will actually be track 3) of my RPM Challenge 2010 album. I have a name for the album, but I’m not putting that out until the artwork is all done. Yeah, I’m going all the way.

Anyway, I’ve already gotten farther than I did last year, and I don’t plan on stopping. I have a few other half-finished tracks on the go, hopefully will be uploading them within the week. Also, this track, along with any other RPM tracks, will not appear in the flash player below until they’re all done, or when February ends. So for now, here you go;

Element Zero

RPM Challenge 2010 is a go! Sign up here. Don’t know what I’m on about?

From the site…

This is The Challenge - Record an album in 28 days, just because you can.That’s 10 songs or 35 minutes of original material recorded during the month of February. Go ahead… put it to tape.

It’s a little like National Novel Writing Month, (NaNoWriMo.org) where writers challenge each other to write 1,700 words a day for 30 days, or the great folks over at February Album Writing Month (fawm.org), who encourage artists to write 14 new songs in February. Maybe they don’t have “Grapes of Wrath” or “Abbey Road” at the end of the month, or maybe they do—but that’s not the point. The point is they get busy and stop waiting around for the muse to appear. Get the gears moving. Do something. You can’t write 1,700 words a day and not get better.

Don’t wait for inspiration – taking action puts you in a position to get inspired. You’ll stumble across ideas you would have never come up with otherwise, and maybe only because you were trying to meet a day’s quota of (song)writing. Show up and get something done, and invest in yourself and each other.

Anyone can come up with an excuse to say “no,” so don’t. Many of you are thinking “But, I can’t do that! I don’t have any songs/recording gear/money/blah blah blah…” But this doesn’t have to be the album, it’s just an album. Remember, this is an artistic exercise. Just do your best using what you have in order to get it done. If you have a four-track, become a four-track badass! A mini disc, a pro-tools rig, a Walkman, an 80’s tape recorder – use it. Do your best. Use the limitations of time and gear as an opportunity to explore things you might not try otherwise. If you can afford studio time in a “real” studio, fine, but let’s be completely free of any lingering idea that “good” records can only be made in a studio. If that were so, then all the old scratchy blues records or Alan Lomax field recordings that have changed our culture – the world’s culture – wouldn’t still resonate with us today as they do. Springsteen’s haunting classic “Nebraska” was a demo he did at home on a crappy machine. That album is fricking awesome. What label would put those recordings out now? (See: who cares) There are a million examples of this kind of stuff, but the fact will always be: Well written, honest music is compelling and undeniable no matter what it was recorded on. So put it to tape.

February will come and go whether you’ve joined in or not, but do you really want to be left out?

So there you have it. I feel like crap because of last year’s “one song” entry, so I’ll be sure and AT LEAST get farther this time around. All tracks will be posted here as well, denoted as being part of the RPM Challenge.

For all music makers out there, sign up! What have you got to lose?

Finally.

Intro (A Thousand Times Yes)

Locked my Keys in my Car

Ceiling Fan

In Defense of Kittens

Lost in my Own Backyard

Troubadours in Heat

Conjugated Within an Inch of my Life

Prom Dress for Sale

Sally Johansen’s Cerebral Jamboree

Click to download (after it takes you to the song’s own ‘page’), no descriptions, although I might add some later. I figure  I’ll hash it out right here, right now.

This whole album was a gift to a friend. Ben, to be more specific. We’ve been friends since high school, and I started making music with him using MTV’s Music Generator, back in 2000 (I had the PC version that allowed the creation of .wav files, Ben had the PS1 version, that obviously didn’t. So much transcribing…). Before that, any music I thought up was quickly forgotten, but not before it was crudely plunked out on my old Yamaha keyboard. Man, that sampled piano sounded so tinny.

Anyway, Ben’s an incredible artist and has his own webcomic, ZomBen (alternate link here). He also illustrates Gibson Twist’s graphic novel, “Our Time in Eden“. Speaking of Gibson, he has a fantastically, amazing comic titled “Pictures of You” that I cannot recommend highly enough. Anyone reading this right now should just stop and go there. Come back and tell me what you think. Be warned, it’s been going for quite a few years now, so there’s a LOT to catch up on, but it’s very much worth it.

As a side note, I’d be remiss to not mention Pulp Stiktion, the short-lived, unfinished, but very enjoyable toy-comic Ben and I used to work on. Man, those indeed were the days.

Back to the album, a long time ago, when I figured out what was what in making my own 8-bit sounds, I showed some of them to Ben. He enjoyed it enough to request an entire album of new 8-bit tracks. Couple years later, I finally did it. Now, it’s not a very long album, but who really needs more than 28 minutes of Nintendo/Atari/Commodore 64-inspired music? I certainly don’t, but the good people over at 8-bit collective might.

As I mentioned before, I totally and completely ran out of ideas halfway through. That sucked. A lot. There are quite a few aborted pieces of songs still shoved away somewhere, and I cringe when I hear even a few seconds of them. Hey, those scenes are deleted for a reason! There was one that was going to sound like some sort of beach-esque song, another that was drums for the first 90 seconds (no one needs that). All of the others are pretty much all in the “that melodic hook sucks” category. And that’s all this album turned out to be, to me at least… a collection of melodic hooks, structured in the pop song format, but without any words.

Glad I finally  finished it.

I’m about to start work on something big. Something (in my world) that is the biggest yet. I can’t reveal what it is just yet, but in the coming months, if we (a filmmaker-friend/colleague and I) get funding, the creative floodgates will finally break open, and my god, I’m going to keep the pencil moving.

What we’ll be doing isn’t very large on the Hollywood scale of things, but with the scale we’re using, I don’t actually think it’s been done before. If there has ever been a cause for me to get my thoughts and ideas in order, this is it.

I wish I could say more, but I’m sworn to secrecy and all that.

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My fiancée, who’s recently studied colour theory, has let me know that the colours for this site don’t really “work” as well as they could. My whole purpose for the look of this place was to make it seem young and fun, but not in a Gap-sort-of-way. Truth be told, I was 110%-directly-inspired by this album. Their music was like candy, like sweet chaos to my ears, and I will always think of them as one of my primary inspirations, whether it shows or not. Tim Delaughter, you have a wonderful mind. In fact, the whole reason I changed my site over to this blog format was because I stumbled across his blog, and thought “I should post the stuff I’m doing.”

I digress. The colours on the page might be changing in the next little while, but the layout itself is staying right where it is. I enjoy it too much (And it just plain works!) to change it again so soon.

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Well, all of that aside, I think sometime today (later today) or tomorrow, I’ll finally be re-uploading “Nothing Fancy” for all to enjoy (again). I had a ton of fun and a ton of headaches working on that album, but it was worth it in the end. Headaches? For a 9-track, 28-minute album? Yes. Many. You see, I ran out of ideas after the first 3 tracks, and strained and strained for months. All the while, this was meant to be a Christmas present for my friend Ben (who still owes me a 100×100 pic for linkage to his excellent artwork and comics), so I wanted it to be “good enough”.

More stories to come when I actually post it.